Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
Reflective & MOD Mesh Dress.
SHOW CREDITS:
Production: Simon Costin , Soundtrack: Michel Gaubert & Steven Brinke,
Hair: Raphael Salley , Make Up: Mary Greenwell , Casting: Russell Marsh.
PHOTO CREDIT: CHRIS MOORE
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
Organdi/Tulle Harness, (worn with) Mesh Top & Jacquard Shorts.
SHOW CREDITS:
Production: Simon Costin , Soundtrack: Michel Gaubert & Steven Brinke,
Hair: Raphael Salley , Make Up: Mary Greenwell , Casting: Russell Marsh.
PHOTO CREDIT: CHRIS MOORE
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
Organdi/Tulle Harness, (worn with) Mesh Top & Jacquard Shorts.
SHOW CREDITS:
Production: Simon Costin , Soundtrack: Michel Gaubert & Steven Brinke,
Hair: Raphael Salley , Make Up: Mary Greenwell , Casting: Russell Marsh.
PHOTO CREDIT: CHRIS MOORE
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
Mesh Top, (worn with) MOD Mesh/Organdi/Jacquard Skirt.
SHOW CREDITS:
Production: Simon Costin , Soundtrack: Michel Gaubert & Steven Brinke,
Hair: Raphael Salley , Make Up: Mary Greenwell , Casting: Russell Marsh.
PHOTO CREDIT: CHRIS MOORE
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
Mesh Top, (worn with) MOD Mesh/Organdi/Jacquard Skirt.
SHOW CREDITS:
Production: Simon Costin , Soundtrack: Michel Gaubert & Steven Brinke,
Hair: Raphael Salley , Make Up: Mary Greenwell , Casting: Russell Marsh.
PHOTO CREDIT: CHRIS MOORE
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
Reflective Jacket, (worn with) Mesh Top & Jacquard Trouser.
SHOW CREDITS:
Production: Simon Costin , Soundtrack: Michel Gaubert & Steven Brinke,
Hair: Raphael Salley , Make Up: Mary Greenwell , Casting: Russell Marsh.
PHOTO CREDIT: CHRIS MOORE
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
MOD Mesh Blouson, (worn with) Crystal Harness & Piqué Trouser.
SHOW CREDITS:
Production: Simon Costin , Soundtrack: Michel Gaubert & Steven Brinke,
Hair: Raphael Salley , Make Up: Mary Greenwell , Casting: Russell Marsh.
PHOTO CREDIT: CHRIS MOORE
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
SHOW CREDITS:
Production: Simon Costin , Soundtrack: Michel Gaubert & Steven Brinke,
Hair: Raphael Salley , Make Up: Mary Greenwell , Casting: Russell Marsh.
PHOTO CREDIT: CHRIS MOORE
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
MOD Mesh Jacket, (worn with) Cotton & Organdi Fress.
SHOW CREDITS:
Production: Simon Costin , Soundtrack: Michel Gaubert & Steven Brinke,
Hair: Raphael Salley , Make Up: Mary Greenwell , Casting: Russell Marsh.
PHOTO CREDIT: CHRIS MOORE
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
Jacquard Jacket, (worn with) MOD Mesh Corset & Shorts.
SHOW CREDITS:
Production: Simon Costin , Soundtrack: Michel Gaubert & Steven Brinke,
Hair: Raphael Salley , Make Up: Mary Greenwell , Casting: Russell Marsh.
PHOTO CREDIT: CHRIS MOORE