Collection 04 – Autumn/Winter 2002
Safety / Security / Suspension
Reflective knit top, crystal harness and wool trouser.
SHOW CREDITS:
Production: Simon Costin , Soundtrack: Michel Gaubert & Steven Brinke,
Hair: Eugene Souleiman , Make Up: Lucia Pieroni , Casting: Russell Marsh.
PHOTO CREDIT: CHRIS MOORE
Collection 04 – Autumn/Winter 2002
Safety / Security / Suspension
Reflective knit top, crystal harness and wool trouser.
SHOW CREDITS:
Production: Simon Costin , Soundtrack: Michel Gaubert & Steven Brinke,
Hair: Eugene Souleiman , Make Up: Lucia Pieroni , Casting: Russell Marsh.
PHOTO CREDIT: CHRIS MOORE
Collection 04 – Autumn/Winter 2002
Safety / Security / Suspension
SHOW CREDITS:
Production: Simon Costin , Soundtrack: Michel Gaubert & Steven Brinke,
Hair: Eugene Souleiman , Make Up: Lucia Pieroni , Casting: Russell Marsh.
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
BACKSTAGE PHOTO CREDIT: ANNE DENIAU
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
BACKSTAGE PHOTO CREDIT: ANNE DENIAU
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
BACKSTAGE PHOTO CREDIT: ANNE DENIAU
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
BACKSTAGE PHOTO CREDIT: ANNE DENIAU
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
BACKSTAGE PHOTO CREDIT: ANNE DENIAU
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
BACKSTAGE PHOTO CREDIT: ANNE DENIAU
Collection 03 – Spring/Summer 2002
FROM FUNCTION TO DECORATION:
The all white collection is stained violet in real time, undermining the passive role
of the spectator within the spectacle of the fashion show, by allowing the audience participatory entry into the completing of the work, through the real time performance of the catwalk presentation.
BACKSTAGE PHOTO CREDIT: ANNE DENIAU